I was having a hard time deciding which score I should pick
to win Best, and I found myself just leaning towards the one I had heard most
recently. Because I’d heard some scores
months ago and some days ago, I decided I should listen to them
side by side. Below are my comments about the music as I was listening to it.
Argo –While many
of the pieces are not ones I necessarily want to listen to over and over again,
I did think they fit in the movie perfectly; additionally, the pieces, “Breaking
Through the Gates,” “The Mission,” and
“Clearing Iranian Airspace” are pure magic, putting the soundtrack squarely in
the fantastic category.
Life of Pi – I remember
while I was watching the movie that I loved the music. It was actually a huge
part of the movie, and in many ways, helped move the story along. It is
beautiful to be sure, and I think my favorite piece is “Tsimtsum,” “Tiger
Training,” “Orphans,” and “Back to the
World,” but it’s hard to pick. Most of the pieces are only 1-3 minutes long,
and they all ease into each other; really it is one piece of music. It is
gorgeous.
Lincoln – Well,
it’s John Williams, so I know I’m going to like it. And I do, but that’s about
all. I remember while watching the movie that music was power, but the same can
be said for all of these scores. I will
say that the “Peterson House and Finale” is absolutely breath-taking (and, of
course, the clip they play will be from this).
Overall, the music is beautiful and heads above many other scores, but I’m
not feeling it for best score.
Skyfall – I remember remarking on the music when I
came out of the theater – the music and the gorgeous cinematography. So I was
excited to give this another listen. I couldn't get my hands on it through
Spotify, so I purchased it from iTunes.
The stakes have been raised, Thomas Newman, you’d better delight me! Okay, yes, I remember why I liked this so
much as I was watching the movie. It is amazing. “Jellyfish” and “Silhouette” are two of my
favorites (and they are from a beautifully shot scene in the film). “She’s Mine”
and “Deep Water,” and “ Adrenaline,” are also favorites. I don’t think it’s
going to win though, although I think maybe it should. I think it’s going to be
too fast-paced/electric for good old Oscar.
Anna Karenina - this is gorgeous It starts off so fanciful, and I love the waltz When I was watching the movie, I remember enjoying the music above all else, and I still enjoy it. I would listen to this again and again. It is gorgeous, classical, and if I were still in an orchestra and given the choice of which of these scores to play, I would pick this one. I do adore it.
Anna Karenina - this is gorgeous It starts off so fanciful, and I love the waltz When I was watching the movie, I remember enjoying the music above all else, and I still enjoy it. I would listen to this again and again. It is gorgeous, classical, and if I were still in an orchestra and given the choice of which of these scores to play, I would pick this one. I do adore it.
Silver Linings Playbook – Okay, so this is not nominated,
but it should be. Three bars in, and I’m reminded how much I love this.
Very hip, funny, distressing and beautiful; it helps tell the story of the
movie perfectly. God, I almost forgot how much I loved this movie &; the
music is bringing it all back. I love it. “Simple,” “With a Beat,“ and – well, all of
them, actually - are just stunning. I know its not a big grand score, and it is relatively short compared to those nominated, but it just captured the film so well & is quite enjoyable on its own as well. I wish it had been nominated.
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